A great deal has been documented about the art of running, a therapeutic exercise with ability for cathartic release. In the realm of professional sports, though, the pressure of competition can make people lose sight of this primary objective. Transposed from the same-named comic, Kenji Iwaisawa’s spellbinding anime transcends trophies and medals to examine the existential drive that fuels an competitor’s aspiration.
The 100-Meter Film chronicles Togashi and Komiya, youth companions whose career trajectories diverge when they turn professional. Formerly the quickest elementary student in Japan, Togashi guides the less self-assured Komiya with the fundamentals. As the pair move through their adolescence and adulthood, Komiya steadily accelerates up the standings of premier sportspeople, while Togashi is trapped in a decline; both struggle with fears and doubts. Covering more than 15 years, the tale follows their psychological barriers, exposing the struggles of an competitor’s existence, caught in a loop of public scrutiny, achievement demands and commercial obligations.
Perhaps it’s because of the source material, but the animation’s answer to these intricate issues is rather superficial; frequently, a lead’s mental struggles simply disappear after a extended discussion with a peer or a senior. But what the anime is deficient in story nuance and rhythm, it makes up for in stunning imagery. Utilizing live-action tracing, in which animation is traced over live-action footage, the film produces remarkably precise dash moments. The physical exertion of a sprint is on full display, and the pain and the joy of contests are etched on the characters’ bodies.
One notably pivotal race finishes in the storm, with cascades of monochrome brushwork that immerse the scene. Apart from conversation, these flourishes of artistic excellence embody the quasi-enlightened elation the film aims to provoke.
The Sprint Film is released in Britain from the 16th of November.
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