Six quirky but resilient youngsters fall into the path of a immense and terrible otherworldly darkness that has entered our realm from the deepest abyss of darkness. They must spend their lifetimes battling it, experiencing terror upon terror in the struggle.
This is the plot, in essence, of Stephen King’s novel It (a standout in his career; undeniable). It is also the plot of Stephen King’s offspring Joe Hill’s new massive horror novel, in which a close-knit group summon the ancient, utterly malevolent dragon King Sorrow from the Long Dark to aid them in overcoming some villains. Needless to say, their arcane ceremony has unintended consequences.
Joe Hill began his writing journey striving diligently to distance himself from his well-known dad, publishing under the pen name he maintains to this day and avoiding meeting his agent (he bears a uncanny likeness to his dad). Yet with this recent release, he leans into it. There are lines that intentionally mirror some of his father’s iconic (the famous Dark Tower introduction); a incident that recalls a recurring theme in King’s works (a riddling contest). In this epic story, Joe Hill takes pleasure in his heritage, and we delight along with him.
Returning to the group: most are students at the made-up the esteemed institution in the New England state. First is Arthur, studious and intelligent, deciphering Old English riddles in his leisure hours; another key figure, rich, clever, and known for crushing those who oppose him; Donna and Donovan; the beautiful Allie herself. And there’s Gwen, who remains outside their academic circle, but emerges as crucial of their circle as they experiment, partly convinced, half not, in arcane arts.
The protagonist finds himself, as a result of external pressures, obliged to take rare books from his beloved college library by a group of neighborhood thugs. This tears at his bookish heart, notably because he’s compelled to seize the library’s most valuable and chilling work: the logbook of occultist this enigmatic character (condemned “for trafficking with the devyll in 1703”; the cover is fashioned from his hide). Our Scooby gang read the journal, discover they could summon what the occultist details as a “proud worm to help Arthur out with his blackmail problem – and occupy the subsequent narrative enduring the repercussions. The dragon will undoubtedly remove those troublesome local drug dealers, but they are required to pick a new sacrifice annually or fall prey to the beast. In the character’s own words: “You plant seeds of destruction, all you get is additional horrors.”
Spanning forty years, Hill also moves with effortless ease between genres: as the allies attempt to deal with the circumstances they find themselves in by, in different ways, picking people who are obviously evil to sacrifice, or hunting down ways to kill the dragon themselves, we go from page-turner to grim fantasy, black-ops torture to love story to horror. A standout transition was to a adventure narrative, within the subterranean depths beneath this UK region, a section infused with the fantasy maestro that was gloriously terrifying.
The novel features trolls – those living under bridges and digital trolls, genuinely frightening and expertly realized. The story includes mystic weapons and deceptions, heart-stopping scenes of valor and instances of terrible wickedness, both earthly and otherworldly. It’s a tour de force: a chilling book that is primarily a paean to the human inventiveness, and to love and friendship. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the allies gather at the table, preparing to summon their serpent into being with the power of their thoughts.
As Hill puts it in his epigraph: “Here be dragons”. Do not overlook this.
A seasoned gaming analyst with over a decade of experience in the casino industry, specializing in slot mechanics and player psychology.